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Oscar, Best Production Design

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Overview
Highlights
Wallpaper* · 2d
A comprehensive guide to the Oscar nominees for production design
Film sets possess the power to drop an audience into literally any reality.

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The Statehouse News Bureau · 2d
This Ohio native won an Oscar for her production design. This weekend, she hopes to do it again
 · 1mon
These Are the 2026 Oscar Production Design Nominees
 · 11h
Amy Madigan Wins Oscar for Best Supporting Actress in ‘Weapons,’ 40 Years After Last Nomination
Amy Madigan won the Academy Award for best supporting actress Sunday for her role in the supernatural thriller “Weapons,” 40 years after her last nomination.

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 · 6h
Oscars 2026 highlights: ‘One Battle After Another’ wins big with six awards
 · 7h
'F1' wins Oscar for Best Sound
abc7NY · 5h
''Avatar: Fire and Ash' wins Oscar for Best Visual Effects
Joe Letteri, Richard Baneham, Eric Saindon and Daniel Barrett have won the Oscar for Best Visual Effects for "Avatar: Fire and Ash" at the 2026 Academy Awards.

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ABC7 · 9h
Oscars 2026 live updates: See all the winners and best moments
abc13 · 5h
'Frankenstein' wins Oscar for Best Production Design
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7mon

What Is a Production Designer: The Role and Responsibilities Explained

Ever wondered who brings a cinematic world into reality? Someone is responsible for a film's look, whether it’s intricate spaceships (like in Interstellar), dystopian cities (like in Blade Runner 2049), or the ancient world (like Egypt in The Mummy).
Life & Style Weekly
1y

Dong Lei: The Production Designer Behind My Nights Glow Yellow

In the bustling realm of film production, where artistry reigns supreme, there exists a creator whose innovative designs have left an indelible mark on the industry. Meet Dong Lei, a multifaceted artist whose journey from oil painter to esteemed production ...
Yahoo
2y

Reacher Season 2 Interview: Production Designer Naz Goshtasbpour

Add Yahoo as a preferred source to see more of our stories on Google. ComingSoon recently spoke with Reacher production designer Naz Goshtasbpour about his work on the acclaimed series. Check out the interview below to hear his thoughts on practical ...
The Hollywood Reporter
1y

A $10M Budget Didn’t Stop ‘The Brutalist’ Production Designer Judy Becker From Leaning Into the Film’s Titular Architectural Style

The Oscar-nominated pro also reveals what set design she couldn’t quite figure out at first. By Rebecca Keegan Senior Editor, Film When it comes to admiring the brutalist style, Becker has a lot more company now, partly thanks to evolving tastes but in ...
Los Angeles Magazine
1y

When in Rome: Production Designers Evoke the Italian Capital

From top: Megalopolis explores a modern-day Roman Empire; Gladiator II re-creates Rome in Fort Ricasoli Credit: Megalopolis: Courtesy Lionsgate; Gladiator II: Guba Scott; Conclave: Courtesy Focus Features Ancient Roman architecture and history have long ...
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